Nunu Fine Art is proud to exhibit four Taiwanese artists who are celebrating new milestones in their careers. 

Known for her vibrant compositions of nude female figures engaging in unbridled behavior within fantastical spaces, Chiao-Han Chueh's deliberately naïve painterly style, bold use of color, and recurring animalistic imagery convey a sense of innocence and freedom, presenting female figures as liberated from patriarchal constraint. Chueh‘s Breastfeeding Dog by was acquired by the Chazen Museum of Art at the University of Wisconsin-Madison in 2025. 

Guan-Hong Lu engages themes of absurdism, lingering violence, and the faceless power of media to shape rich scenes that examine how meaning can be distorted, misinterpreted, or even lost, yet simultaneously give rise to something unintended and thought-provoking. Lu's Apocalypse Now: From Cradle to Grave was acquired by Pérez Art Museum Miami following his 2025 solo exhibition View from My Window, at  Nunu Fine Art New York | Project Space.

Throughout his career, Shida Kuo has developed a distinct vocabulary of biomorphic forms inspired by nature. Kuo subtracts from clay and wood until they are reduced to fundamental, richly tactile shapes. He sculpts entirely by hand and often embraces a time-consuming process; as a result, his sculptures carry traces of their making and convey the simplicity and truthfulness of their materials. Kuo’s Untitled 24-02 was acquired by the Chazen Museum of Art at the University of Wisconsin-Madison. 

En-Man Chang weaves together field research, historical investigation, and personal memory to examine the resilience and regeneration of Indigenous cultures in the wake of colonialism and amid the ongoing pressures of globalization. Working across moving image, photography, installation, and textiles, her practice explores how Indigenous communities in Taiwan navigate shifting socio-cultural conditions shaped by modernization and urbanization. Chang will be featured in the upcoming 2026 Biennale of Sydney. 

Fueled by her curiosity of history and ancient cultures, Ya-Ting Kao seeks connections between her personal experiences and broader historical narratives to draw imaginary maps that outline those relations. She has worked with various media such as painting and installation, often incorporating found images, press photos, domestic photos, and drawings, to frame up the uncertainty of self-identity. Recently, she introduced new fiber-based materials and techniques to her work, incorporating time-consuming and repetitive methods of tufting, flocking, beadwork, and embroidery to construct narratives of individual experiences and changes to her identity as she embarks on a new journey of motherhood.